Life is an endless beginning validated by love.

Through three key elements of form light and color, the artists have communicate with nature from ancient times. Adopting two main attitudes, realistic and surrealistic, they have been able to express their emotions and ideas.
Several years of research and work on the practice of intellectual and material structures of realism as well as modernity vision and Western and Oriental arts enabled me to offer a new artistic view titled “Iranian Contemporary Painting” to the international art society which is tremendously spiritual and constructive.

On the other hand, this view differs from traditional Iranian miniature painting in several aspects. Furthermore, regarding the structural and inspirational features of such an artistic view, it enjoys an unbounded identity.

Describing this art, I can call it the pictorial surrealism of poetry and classical music. From the philosophical perspective, it is almost committed to portraying beauty as well as the analysis of two material and spiritual worlds from the aesthetic viewpoint in pure timeless art.

From the aspect of intellectual structures, this art has been inspired general spirit of philosophy, mysticism of the Persian literature and poetry in particular. Likewise, techniques employed in the works of this art are created based on these literary contents they have no precedent neither in the Western nor in the oriental arts. However, it also draws on other artistic features from the world art.

Nevertheless, it should be noted that this artistic view does not renounce the real world. As a matter of fact, the literary and social subjects invite people to take a much profound look upon their life regardless of geographical and cultural boundaries as well as sexual discriminations.

They strive to attract people’s attention to pure humane values such as love and respect for human and nature portrayed through the aesthetics to invoke selective intelligence. From the aesthetical view, the purpose is to symbolically depict the status of human being and other creatures in nature devoid of supremacy in depiction.

In terms of time and space, these pictorial elements lack any identity. The faces and garments do not belong to a particular era, they are absolutely surreal and derived from the intellectual current in the subject matter. Based on this artistic view, the prime objective is to guide human intellect combined with aesthetics, and his/her status in creation.